Open Calls

Auditions for ALL MY SONS will take place on January 30 & 31 at 7pm.
Please fill out the following information to schedule your audition.


Audition Dates: January 30 & 31 at 7pm
Callbacks: February 1
Director: Jack Hartman


Joe and Kate Keller had two sons, Chris and Larry. Keller owned a manufacturing plant with Steve Deever, and their families were close. Steve’s daughter Ann was Larry’s beau, and his son George was their friend. When the war came, both Keller boys and George were drafted.

During the war, Keller’s and Deever’s manufacturing plant had a very profitable contract with the U.S. Army, supplying airplane parts. One morning, a shipment of defective parts came in. Under pressure from the army to keep up the output, Steve Deever called Keller, who had not yet come into work that morning, to ask what he should do. Keller told Steve to weld the cracks in the airplane parts and ship them out.

Later, it was discovered that the defective parts caused twenty-one planes to crash and their pilots to die. Steve and Keller were arrested and convicted, but Keller managed to win an appeal and get his conviction overturned. He claimed that Steve did not call him and that he was completely unaware of the shipment. Keller went home free, while Steve remained in jail, shunned by his family.

Meanwhile, overseas, Larry was reported missing. 

Three years later, the action of the play begins. Chris has invited Ann to the Keller house because he intends to propose to her- - they have renewed their contact in the last few years while she has been living in New York. They must be careful, however, since Mother insists that Larry is still alive somewhere. Everyone else has accepted that Larry is not coming home, and Chris and Keller argue that Mother should learn to accept that.

Ann’s brother George arrives to stop the wedding. He accuses Keller, who disarms George by being friendly and confident. George is convinced of Keller’s guilt, but Chris tells him to leave the house.

Chris’s confidence in his father’s innocence is shaken, however, and in a confrontation with his parents, he is told by Mother that he must believe that Larry is alive. If Larry is dead, Mother claims, then it means that Keller killed him by shipping out those defective parts. 

Mother tells Keller that he ought to volunteer to go to jail - - if Chris wants him to. She also talks to Ann and continues insisting that Larry is alive. Ann is forced to show Mother the letter that Larry wrote before he committed suicide by crashing his plane.

Mother begs Ann not to show the letter to her husband and son, but Ann does not comply. Keller enters, and Mother is unable to prevent Chris from reading Larry’s letter aloud. Keller now finally understands that in the eyes of Larry, and in a symbolic moral sense, all the dead pilots were his sons. He says that he is going into the house to get a jacket, then he will drive to the jail and turn himself in. But a moment later, a gunshot is heard – Keller has killed himself. 


Joe Keller (60’s)- This role will be portrayed by Jack Hartman and is not open for audition. Middle aged and prosperous, Joe Keller is a family man whose world does not extend beyond the borders of his front yard or the gate around his factory. He is not a greedy, conniving caricature of capitalism, but rather a good-natured and loving man of little education, whose myopic perspective on his world stems from a devotion to his family, and the need to hide the truth.

Kate Keller (Mother)(50’s-60’s)

Though she has a successful husband and a loving son, Mother cannot abandon the memory of her other son, who was lost in the war. Her delusions about Larry’s disappearance and her vehement self-denial are symptomatic of greater issues than just a grief-stricken mother’s inability to cope with the loss of a child. Nervous and suspicious, Mother has taken on the burden of her husband’s secret while he presents the face of an untroubled conscience to the world.

Chris Keller (30’s)

Returning from the war as a hero, Chris found the day-to-day provincialism of his old life stifling. But Chris is a family man, and he is devoted to his parents. He is uncomfortable with the success of his father’s business found during the war, when so many of his comrades died pointlessly. He redirects his discomfort into an idealism and an attitude of social awareness that is foreign to his family environment.

Ann Deever (20’s-30’s)

The beautiful Ann has not become attached to a new man since Larry died in the war, but this is not through lack of suitors. Ann is mired in the past, though she has not been waiting for Larry to return. Rather, she has waited for his brother Chris to step forward and take Larry’s place in her heart. She is an honest, down-to-earth girl, and she is emboldened by the strength of certain convictions. 

George Deever (30’s)

His arrival in the second act is a catalyst for a situation that was on edge from long-established tensions. His disdain is for the crime, not for the man, and now that he has been newly convinced of his father’s innocence, he is here to rescue his sister from entering the family of the man he believes is actually guilty. Yet George is easily disarmed by Keller’s good humor, and his own convictions about his father’s innocence are almost undermined by his awareness of his father’s other faults and weaknesses.

Dr. Jim Bayliss (40’s-50’s)

The neighborhood doctor, Jim is a good man who believes in the duty of one man to help another, but he at the same time acknowledges a man’s responsibility to his family. He is interested in medicine not for the money but to help people.

Sue Bayliss (40’s)

Jim’s wife Sue put her husband through medical school, and she expects more than gratitude in return. She blames Chris’s infectious, insinuating idealism for her husband’s interest in the fiscally unrewarding field of medical research. 

Frank Lubey (30’s)

A simple neighbor, Frank has an interest in astrology. Mother asked him before the start of the play to prepare a horoscope for Larry in order to determine his “favorable day.”

Lydia Lubey (late 20’s- early 30’s)

Now married to Frank, Lydia is a former sweetheart of George’s, but she did not wait for him to return from the war. Seeing Lydia makes George wistful about the simpler life he could have had, if he had not left home for the greater world of New York.

Bert (7-9)

Bert is a neighborhood boy who plays cop-and-robber games with Joe Keller, to Mother’s chagrin. Keller has allowed Bert and other children to get the story of his jail time wrong and believe that he is the chief of police with a jail in his basement.


SANDY: Heather Stoll

BEV: Faith Brown

JOHN: Jaime Elizabeth

LOU: Mike Ausherman

VANESSA: Colleen Mundis

BRYCE: Bob Haag

MARVIN: Dylan Webb

FIONA: Amber Gamber

FIST: Charlie Heller

STAN: Joey Miller


King Arthur: Chris Quigley

Lady of the Lake: Chloe Braden

Sir Robin: Wesley Hemmann

Sir Lancelot: Tommy Dougherty

Sir Galahad: Matt Setzer

Patsy: Curtis Druck

Sir Bedevere: Evan Tinsman

Prince Herbert: Michael Daiuto

Dead Fred/Dancing Nun: Donovan Molloy

Historian: Jeff Gilbert


Kenny Hamme (also Male Minstrel)

Justin Rosenberger

Daniel Signore (also Frenchie)

Matt Bahn

Julien Sherman (also Lead Minstrel)

Donovan Molloy (Also Not Dead Fred, Flying Nun, Dancer)

FEMALE ENSEMBLE/Dancers/Laker Girls

Emma Gaetjen-Tapper

Kenzie Hulsey

Natalie Kerchner (also Minstrel)

Grace Stover-Tapper

Danielle Paradiso-Tapper

And Then There Were None

Our Company

The Belmont Theatre is York’s prominent community theatre, creating an environment of excellence in the theatre arts through diverse performances and innovative educational opportunities.


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If you’re interested in participating in an upcoming Belmont Theatre production, we invite you to come join us in open auditions. 

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